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Del the Funky Homosapien Profile

Del the Funky Homosapien Del went through all kinds of turmoil when his earliest cd’s I Wish My Brother George Was Here, and No Need For Alarm didn’t perform as his label heads at Elektra expected. Being Ice Cube’s cousin, they probably figured he was a thug nigga you didn’t want to take lightly, etc. They were in for a shock when D-E-L dropped songs like Pissin’ On Your Steps or Sleepin’ On My Couch. *“Whaaa?” Some simple, racist schmuck A&R probably thought he was getting the fat Xmas Bonus for signing someone actually related to that guy in NWA. Del *will have the last laugh. He’d better! A shock when he parted company with Elektra Entertainment Group, and released this album with friends via the internet. After going on the Hieroglyphics (his new imprint) web-site, I learned that my cd copy is actually a bootleg, since Future Development was only really issued on cassette with Hiero’s help. It still sounds great, and if Del’s somehow being compensated (paid) then it’s okay with me. Not knowing Future Development was going to come out on Metallica’s label this is free of the kind of lyrical bitterness some artists might have in his same shoes.

His next album, the excellent Both Sides of the Brain (also on Hieroglyphics Imperium) spends time solidifying Del’s reputation as a highly skilled Mic Controller (his sense of humor intact thankfully), and the 3030 cd by his Deltron project with the Automator and deejay Kid Koala hammers the concept home for people stubborn enough to dream that Poop Frogg is still on top of things. For one thing Snoop "represents" LBC (Long Beach, California), but he lives in posh, crime-free Claremont, easily forty-five minutes drive away, and inhabiting an entirely different worldview (it's a quiet college town with lotsa po-leece)! I know this because I used to live there too, and was separated from him by about three degrees (friends). Seriously, the Doggfather's last few cds were all bark and very little bite (I’ve been wanting to use that cheesy phrase

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    on him for about a year now, and he was wide open for it). It’s somebody else’s turn. Del creeps in on this album and neuters all non-believers. When Del comes with tracks like Don’t Forget the Base, or X-Files, he may be proving that he’s fairly likely to never kick the crap out of you, but who really cares at the end of the day? Who? Isn’t the soul-less machismo that’s just accepted now in hip-hop getting somewhat tiresome and predictable anyway? Wait…I’m not trying to justify the existence of the putrid Will Smith, but please!! I do love it when it’s done imaginatively (Geto Boys take a bow), but it sucks worse than being forced to listen to Creed when it’s done as poorly as some "artists" are doing it right now.

    Ever seen that movie a few years back about a fictitious rap group featuring Chris Rock wearing a soggy Jheri-Curl wig, and acting like he’s about to ‘punk’ you, but it was all a show? His character was really from the ‘Burbs? That’s what I’m talking about! Obviously a play on the whole ‘studio gangsta’ vibe, with Chris Rock, a kid called Dead Mike, and the other guys being quite similar to NWA (even though it wasn’t meant to make fun of them). "Our name is CB4, Cell Block Four!" Chris threatened to "fuck ya sistah, I’ll fuck ya cat. I would fuck ya mom, but the bitch is too fat!" I was sitting outside a café next to a theatre playing this and there was a massive brawl when people showed up to see it, and waltzed into the crowded theatre acting tough, but were too stupid to tell the whole thing was a joke. Chris Rock was goofing on them, so they beat the crap out of each other! How sad. When kids are, in due course, bumpin’ stuff heavily influenced by Del, or the Anti Pop Consortium, like that album by Common says, One Day It’ll All Make Sense. Del is the future of hip-hop, so listen close.
    By Jason Thornberry, CanEHdian.com. Copyright 2001

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